My career has always been an evolution of discovery. Whether I was formulating a hypothesis in a lab or directing the color palette of a video, my goal has remained the same: to find the underlying logic and emotion of a moment.

Moving from scientific research to photography and then to edition and color grading wasn’t a departure, but a shift in medium. Today, I approach filmmaking and photography as both a technical and emotional puzzle. I’m interested in the ‘symphony’ of a scene, that specific point where the rhythm of a cut, the intensity of light, and the nuance of a glance become inseparable. My background in science provides a layer of precision and rigor that I now apply to the art of visual storytelling.

I’ve never been one for labels, as my multidisciplinary path doesn't easily fit into a single box. To me, the title matters far less than the output. Whether I’m influenced by the dramatic shadows of a Caravaggio or the modernist lines of Kandinsky, my focus is simply on the work: creating visual experiences that are as intentional as they are beautiful.